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VU Art & Culture

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How can museums use the podcast as part of their transmedia story? That is what Viktor Vandervelde set out to answer in his thesis for the master Comparative Arts and Media Studies, titled ‘Listening to the exhibition’s story: podcasting in the transmedia museum’.⠀⠀⠀⠀⠀⠀⠀⠀⠀
This week’s thesis is a Comparative Arts and Media Studies Master thesis written by Christina Pedoulaki. It investigates in what ways transsensoriality is expressed through haptic aurality in the movie A QUIET PLACE (John Krasinski, 2018). The aim of this thesis is to examine how the ear can function as the organ of touch, when it comes to cinema, and how Michel Chion’s term transsensoriality can be perceived through the prism of haptic aurality, as conceived by Lisa Coulthard (2012) and others. A QUIET PLACE is a horror movie where the element of sound is liminal and becomes a character of its own.⠀⠀⠀⠀⠀⠀⠀⠀⠀
We continue our series with a thesis from MA Architectuurgeschiedenis (architectural history) student and architect, Kaj van Boheemen, with the title Op Gespannen Voet. His research is a historical and theoretical investigation into the relationship between the tent and architecture. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
We beginnen de scriptieserie met een scriptie van student MA Design Cultures Lisa Sneijder. Zij deed onderzoek naar het graphic design van The Black Panther Black Community News Service, de krant van de Black Panther Party uit de Verenigde Staten in de jaren 60/70. Haar scriptie richtte zich op het het volgende: “(...) to scrutinise the Black Panther [the newspaper] on its decolonising qualities and explore its relation to other art or graphic design movements who contributed to Black liberation in the 20th century inside and outside of the U.S. This analysis centres around the representation of race as it determines the Black Panther’s creative foundation, its implementation and its reception in the U.S. media, which was dominated by a white perspective at the time.” ⠀⠀⠀⠀⠀⠀⠀⠀⠀

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